會議論文

學年 98
學期 2
發表日期 2010-06-14
作品名稱 Stephen Crane and the Green Place of Paint
作品名稱(其他語言)
著者 Iris Ralph
作品所屬單位
出版者
會議名稱 2010 International Conference on Environmental Literature and Advanced Materials
會議地點 University of Nagasaki, Japan
摘要 This paper addresses the influence of French Impressionist painting on the late nineteenth-century writer Stephen Crane (1871-1900), a key figure in the movement of literary naturalism and the author of, among other stories, Maggie: A Girl of the Streets, The Red Badge of Courage, The Bride Comes to Yellow Sky, and The Blue Hotel. A journalist and war-time correspondent as well as a literary figure, Crane produced a remarkable number of poems, prose pieces, short stories, and “sketches” in a period of time spanning little more than a decade. Much of his work is characterized by formal devices analogous to Impressionist painting’s seemingly antithetical devices of atmospheric (or animated) paint and flat paint. These formal devices put into question normative, anthropocentric distinctions between human and nonhuman subjects and objects. The short story “An Experiment in Misery” (1889) describes in impressionist painterly language the city’s human and nonhuman subjectobjects that implies that ecogenic (nonhuman-made) human and nonhuman subject-objects are outcast, defaced, or bullied by the anthropogenic (humanmade) environs of the modern industrial city. The influence of French Impressionist painting on Crane has been addressed by scholars. However, these scholars do not comment on its ecocritical significances. I argue that Crane’s animation of the nonhuman figure and the oft-commented on flattening or caricaturing of the human figure by Crane express a nascent ecological argument.
關鍵字 Stephen Crane; French Impressionist Painting; Ecocriticism
語言 zh_TW
收錄於
會議性質 國際
校內研討會地點
研討會時間 20100614~20100614
通訊作者
國別 JPN
公開徵稿
出版型式
出處 Conference paper
相關連結

機構典藏連結 ( http://tkuir.lib.tku.edu.tw:8080/dspace/handle/987654321/112259 )