期刊論文
學年 | 97 |
---|---|
學期 | 2 |
出版(發表)日期 | 2009-06-01 |
作品名稱 | Gary Snyder and the Nature of Nature |
作品名稱(其他語言) | |
著者 | Tsai, Robin Chen-hsing |
單位 | 淡江大學英文學系 |
出版者 | Maney Publishing |
著錄名稱、卷期、頁數 | Comparative American Studies 7(2), pp.151-161 |
摘要 | This paper suggests an interpretation of Snyder's 'nature' poetry or poetics of 'wildness' that foregrounds the interplay of virtual image and real essence, since the truly 'wild' or genuinely 'natural' cannot, after all, be represented: it can only be caught in the brushstroke of the real-virtual interplay or difference. This interpretation foregrounds Lao Tzu's zi-ran (nature, self-so-ness, spontaneity) — especially as we get it in Tao Te Ching 25, where it is mentioned that Tao fa zi-ran, 'Tao/Dao follows (is conditioned by and modelled on) zi-ran'. This interpretation equally foregrounds Zen Buddhist (non-)duality or interplay of (virtual) form and (real) emptiness, and particularly emphasizes Lacan's concept of the (unrepresentable) Real. The context of this Real is a desire (taken here as Lao Tzu's spontaneous self-reversal or self-return) that has only itself as object, a desire that only reproduces itself and thus is essentially a 'lack' (manque). The author is hence suggesting that we see Snyder's ecopoetic (non-)duality of representation-as-form and represented-as-object as an interplay between an empty desire-as-representation and an empty desire-as-represented, or between the nature of nature and the nature of nature. |
關鍵字 | Daoism; Nature; Möbius strip; Emptiness; Gary Snyder; The real; Ecopoetics; Non-duality |
語言 | en |
ISSN | 1477-5700 |
期刊性質 | 國外 |
收錄於 | |
產學合作 | |
通訊作者 | Tsai, Robin Chen-hsing |
審稿制度 | |
國別 | GBR |
公開徵稿 | |
出版型式 | 紙本 |
相關連結 |
機構典藏連結 ( http://tkuir.lib.tku.edu.tw:8080/dspace/handle/987654321/53477 ) |