| 095 / 2 |
Do you Know I am Looking at You?: Visual Pleasure and Body Politics in Tsai Ming-Liang's films
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2010-06-16 |
| 091 / 2 |
Oriental cultural fantasy : Martial art and cross-promotion in Zhang Yimon's hero
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2010-06-16 |
| 085 / 2 |
Unexploded fantasy : The colonial discourse in Wang Tung's strawman
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2012-10-26 |
| 086 / 1 |
The post-colonial cultural trajectory in buddha bless America
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2012-10-26 |
| 088 / 2 |
Fluid desire : Modern cultural landscape in tsai Ming-Liang's Taipei trilogy
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2012-10-29 |
| 087 / 2 |
Does camera tell the truth ? The film aesthetic and historical representation of hou hsiao-hsien's trilogy
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2012-10-29 |
| 098 / 2 |
When Shakespeare Moves to Hollywood:The Popular Cultural and Post-Colonial Spaces Inhabited by Kenneth Branagh’s Film’s on Shakespeare
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2014-03-28 |
| 099 / 2 |
A British Cultural Comprador: A Postcolonial Reading of the Shakespeare Films of Kenneth Branagh
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2014-03-28 |
| 100 / 2 |
Poetic of Minimalism: Defining the Long Take/Long Shot Stylistics of Contemporary East Asian Filmmaking
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2019-04-19 |
| 101 / 2 |
The Spectacle of Asian Minimalism: The Long Take/Long Shot Stylistics in Contemporary Asian Cinema
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2014-03-28 |
| 104 / 2 |
Beyond the Age of Branagh:The Transformation of Shakespeare on Screen from the 1970s to the Present
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#04.優質教育
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2017-03-09 |
| 105 / 2 |
From Globe to Hollywood: Kenneth Branagh’s Hollywoodised Shakespeare
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#04.優質教育
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2018-04-26 |
| 111 / 2 |
Relocating Shakespeare to Taipei: The Gender Politics in Taiwanese film As We Like It
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2024-03-18 |