| 098 / 2 |
Sympathetic Liaison: Nation-Making, Female Subjectivity, and Racial Difference in Lydia Maria Child’s Hobomok
|
|
2011-09-07 |
| 099 / 1 |
失/秩序與規訓：史托夫人的廚房經濟
|
|
2011-09-07 |
| 098 / 2 |
真實與再現倫理：談黑奴書寫的難題
|
|
2011-09-07 |
| 095 / 2 |
Re-memory, Abjection and Female Subjectivity in MaxineHong Kingston’s TheWoman Warrior
|
|
2012-10-29 |
| 101 / 2 |
"The Other's Hospitality: Stranger, Corporeality and Generosity in Joy Kogawa's Obasan"
|
|
2014-07-15 |
| 100 / 2 |
“The body will not tell”: The Poetics of Corporeal Silence in Joy Kogawa's Obasan
|
|
2013-06-20 |
| 102 / 1 |
〈生死交界:談《慰安婦》中鬼魅他者與哀悼倫理〉
|
|
2014-10-01 |
| 104 / 2 |
《繼承失落的人》之日常物、文化認同與現代化
|
|
2017-06-08 |
| 106 / 1 |
家在旅途中：辛西亞‧角畑的小說《浮世》中之家、旅行與（不）流動
|
|
2019-02-22 |
| 111 / 1 |
Surface and Depth: Photographs in Paul Auster's The Invention of Solitude and Joy Kogawa's Obasan
|
|
2024-03-14 |
| 112 / 2 |
Toward a Future of Ethical Cohabitation: The Precariousness of Life and Ethics in Arundhati Roy's The Ministry of Utmost Happiness
|
|
2024-09-18 |